I have been getting some good questions from parents and teachers about art routines. So I will be doing a 3 part series explaining my most successful Montessori art routines and expectations.
Art Routines
Art routines can help you not worry about prepping daily, plus stop classroom chaos! When students understand routines they know how to encounter the art space. When you design art routines there’s less guess work for the student. Plus children actually thrive and succeed with routines in place. Outlining routines lays the foundation for actions and expectations from your students.
Montessori art routines can be simple and last only minutes. While others may be complex with students working up to an hour. Children already have routines that start the minute they get out of bed each morning. Like brushing their teeth, dressing, eating, and getting to school. In most cases you usually have your students in routines at the start of the day. So why not set them up for art.
Today I will share what some of these routines look like. I’ll share two key important routines to start with, and the others in part 2 and 3 in this series:
- Art Smocks
- Art Material Set-up
- Art Language
- Process-Based
- Creative Flow
Art Smock Routine
These routines have worked with tens of thousands of children I’ve worked with. The first expectation is that art is messy and I have a system in place to ensure messes don’t spread around the room. This system keeps wet mediums from spreading around the room or on clothes. I have this conversation before children touch any mediums. Here’s how that might sound.
“Today I thought I would introduce you to the art space I’ve designed to work in, and how to manage the artist materials. The art space is available to those who agree to follow my simple rules.”
With that agreement, then you can move into the smock demonstration.
I explain how messes accrue from spills, hands and splatters. I further explain how the space is designed to manage that type of mess. The first thing I do is introduce the artist’s smock (apron). I explain how artists wear a smock when working on art projects. Then I explain the function of a smock is to keep their clothes and hands clean. I explain when their hands become spoiled, they will use their smock to wipe them, kind of like a big napkin. I explain that artists do not go back and forth cleaning their hands while working. This helps to keep mediums from spreading around. They stay in their work space and use their smock to manage that type of mess.
I don’t have rags or napkins nearby to wipe with. This eliminates paint, glue or pigmented mediums from smearing around the space. Cleaning hands happens after everything is put away, and they are ready to transition out of art. Then I show them what this action looks like by wiping my hands on my smock. I also show them where to find their smock, how to put it on, and where to return it.
I recommend you have your students always wear a smock or art tee-shirt when working in these spaces. If they are working like an artist, they should dress like an artist. It may take time to implement. But if you keep reminding them, everyone in the class starts to behave artfully.
Material Set-up Routines
Set-up presentations are key and can support your students in many ways. By introducing these routines children will be able to set-up independently. This helps with getting into creative flow states. They will be able to construct and use the materials in artful ways. And be able to clean-up the materials on their own. They will also take on the responsibility of leaving the materials ready for the next student to use.
So what type of material set-up routines should you introduce to your students:
- How to gather art materials
- The expectations of how they will work in the art space
- How to use tools & mediums properly
- Where to store artworks
- How to clean up the materials
- How to return them for the next student
- How to transition out of the art space
Most art activities require students to get everything they need to construct. So beforehand you will need to decide which materials to stage for easy access. Group work is where you set-up stations for students to pick up their materials, or you pass them out. Independent work is when you stage the materials for students to collect on their own. Either way you will have to be sure everything is ready to access. For both you still want to explain the expectations and procedures and order of work flow.
Example: You will gather around the circle so I can discuss the art mediums, how they work, and show art technique. And even share some artist samples. Then direct when it’s their turn to get their materials. How long they work, and where to store completed artworks. How-to return the materials back to their station, how-to be dismissed to put their smock away and wash up.
After you have presented a few times, your students will understand these routines.
Diverse Learners
Chaos happens when students don’t understand their individual role. You might have diverse learners in your classroom. Some might be good at art, but not good at following the linear work flow. In this case you may need to group your diverse learners into a smaller group. To process the instructions slower giving them more time to go through the flow of the activity.
Some might get distracted or confused in larger group commotion. In this case I would recommend you set aside time to work with them in a slower smaller paced group.
You or an assistant can work throughout the work cycle showing them the steps. You may have to slow down every step. Showing them how each step looks like. Picking up the materials, working along side them, and how to store finished artworks. Even how-to gather and clean and return materials. Make time to answer their individual questions. You will eliminate the chaos and your studwents will fall into routines.
If you would like to know more about my art method, check out my books, curriculum and teacher professional development [PD] HERE.
Warmly,
Spramani Elaun – Art Instructor
All rights reserved © 2024, Nature of Art®
No part of this blog may be used or be reproduced in any manner whatsoever including reproducing, publishing, performing, and making any adaptions of the work – including translation into another foreign language without written permission except in the case of brief quotations embodied in critical articles and reviews. Nature of Art® Publishing P.O. Box 443 Solana Beach, California 92075.